Pathetique : Op. 13 - Sonata No. 8- 1 Grave
钢琴谱
客户端打开
一键简谱
高清看谱
全屏看谱
钢琴谱
Pathetique : Op. 13 - Sonata No. 8- 1 Grave
Beethoven
Pathetique : Op. 13 - Sonata No. 8- 1 Grave
Beethoven
Beethoven
未知
E♭调
古典
初学
原版曲谱
61
The first movement is in sonata form. It begins with a slow introductory theme, marked Grave. The exposition, marked Allegro di molto con brio, is in 2 2 time (alla breve) in the home key of C minor and features three themes. Theme 1 features an aggressive rocket theme covering two octaves, accompanied with constant tremolo octaves in the left hand. Beethoven then makes use of unorthodox mode-mixture, as he presents the second theme in E-flat minor rather than its customary parallel major. This theme is more lyrical and makes use of grace notes and crossed hands. Theme 3 has modulated to the mediant, E-flat major, and features an Alberti-type figuration for the bass with tremolo. A codetta, with ideas from the opening allegro, closes the section. Some performers of the sonata include the introduction in the repeat of the exposition (Rudolf Serkin and András Schiff, for example), but most return to the beginning of the allegro section. This movement is one of the few compositions that contain hundred twenty-eighth notes. The development section begins in the key of G minor. In this section, Beethoven extends Haydns compositional practice by returning to the introductory section. After this reappearance of the Grave, the composer generates suspense with an extended dominant preparation. The recapitulation brings back the themes of the exposition in different keys: themes 1 and 3 are played in the tonic key of C minor, then theme 2 is played in the unexpected key of F minor but then returns to the tonic key. The coda is very dramatic and includes a brief reminder of the Grave before ending with a swift cadence.
表情
PC播放器不支持打开此曲谱,请在手机、平板端播放。